|
First Auditions (qualifying)
|
|
|
|
|
|
1.
|
J. S. Bach
|
Two parts from any of the Six Sonatas and Partitas for violin solo,
or the Chaconne
|
|
2.
|
Paganini
|
Opus 1. Any two caprices
|
|
|
|
Second Auditions (semifinal)
no longer than an hour per every participant
|
|
|
|
1.
|
Beethoven / Mozart / Schubert
|
Sonata for violin and piano (any)
|
|
2.
|
Paganini
|
Any virtuoso piece, except for the 24 Caprices (Op. 1)
|
|
Recommended:
|
|
Opus 7
|
Campanella — Rondo from Concerto No. 2 (B Minor)
|
|
Opus 8
|
La streghe (“The Witch”) — Introduction and Variations on a theme from
Sussmayer’s ballet Il noce di Benevento (“The Marriage of Benevento”)
|
|
Opus 9
|
Introduction and Variations on God Save the King
|
|
Opus 11
|
Sonata Il moto perpetuo (“Perpetual Motion”)
|
|
Opus 12
|
Non piu mesta accanto al fuoco (“Hearthside no more I’m feeling sad”) —
Introduction and Variations on a theme from Rossini’s opera
Cenerentola (“Cinderella”)
|
|
Opus 13
|
Di tanti palpiti (“Tremble of the Heart”) — Introduction and Variations
on a theme from Rossini’s opera Tancred
|
|
1810
|
Polacca con variazioni for violin and orchestra (A Major)
|
|
1818/19
|
Preghiera (“The Prayer”) — Introduction and Variations (on the bass string)
on a theme from Rossini’s opera Moses
|
|
1820/21
|
Nel cor piu non mi sento (“My heart is dying away”) — Introduction and Variations
on a theme from Paisiello’s opera La molinara (“The Miller’s Wife”)
|
|
1828
|
Variations on a theme of Aria Pria ch’io l’impegno (“Before the promise…”)
from Weigl’s opera L’amor marinaro (“The Sailor’s Love”)
|
|
1838/39
|
Sonata La primavera (“The Spring”)
|
|
|
|
|
3.
|
Any other composer
|
One or several pieces (any)
|
|
|
|
|
|
Third Auditions (final)
|
|
|
|
|
|
1.
|
Any composer of the 19th–20th centuries
|
Concerto for violin and orchestra (any)
|
|
|
|
|
|
|
|
